With that done, hook everything up to your soundboard. You don’t want to adjust the sound levels only to have to reposition everything later, which might force you to start over. Arrange the speakers, microphones and instruments where you want them, ensuring that your setup works. Once you’ve positioned your soundboard, do the same for your equipment. But if you want to hear the sound coming out of the speakers, make sure you place the soundboard somewhere you can easily do that from. If you have a headphone jack on your mixer, you can listen to the output that way. You also might need to think about where the sound is being projected. Your audio cables will only reach so far, so you have to position the mixer close enough for it to connect to both the sound sources and the speakers - or get longer cables. To start, you have to consider physical limitations. It might seem arbitrary, but where you put your mixer matters. The first thing to do is to decide where your soundboard will sit. In the meantime, here are the main audio mixer setup steps to follow. But by that time, you’ll hopefully know what you’re doing well enough to repeat the process with ease. Setting up your mixer and adjusting the mixer audio settings won’t necessarily be a one-time process, as you’ll have to readjust it if you plan on using different sound sources down the road. This will get the soundboard ready for you to use for your concert, podcast or recording session. Once you understand how your soundboard works, you can implement the basic audio mixer setup process. For example, if you wanted to send the sound from only one channel to a pair of headphones so you could hear that channel in isolation from the others, you could use the aux to do that. It transfers the sound to other output locations before it goes out the main output jack. The aux, however, is different from the other controls. The adjusted sound then exits the output jack and goes through the cable to the speakers. The fader is what adjusts the volume, making the final product louder or softer. Fader and AuxĪfter the gain is the controls for the fader and auxiliary or aux. A lower gain will cause only the loudest and most exposed sounds to pass through, whereas a high gain will let nearly everything through. This aspect isn’t so much about volume as it is about sensitivity. The first of these controls is the gain, which determines how much of the sound gets through. GainĪs the sound enters the soundboard - usually at the top - it moves down in a straight line, meeting with several controls along the way. The soundboard will typically have multiple input jacks, enabling you to plug in numerous sound sources and create different channels. The cable connects to the soundboard’s input jack. In any case, the sound signal is digitized and transferred through a cable, which feeds into your soundboard.
For many instruments, you can hook a cable directly into the instrument itself. In the case of a singer or speaker, you have to use a microphone to record the audio.
The sound originates from an external source, be it a speaker or an instrument. While many soundboards are much more intricate than this, here is an overview of the basic elements. This essentially involves tracing the sound signal’s path as it moves through the mixer.
SOUNDBOARD KNOBS HOW TO
How a Soundboard Worksīefore learning how to hook up a soundboard, you need to have a grasp on how it carries out its primary function. But to start using it, you have to understand how it works and know how to set it up. Once you get the hang of using a soundboard, it isn’t complicated. While they come in various sizes and complexities, all soundboards achieve the same basic purpose - they filter sound input into specific channels and alter those channels to produce the best audio results. Whether you’re controlling the sound output for a concert venue or running a podcast, a soundboard is an essential tool to have.
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